Thirty years before grunge music put Seattle on the map, late 1960's groups like Black on White Affair, The Soul Swingers, and Cold, Bold & Together filled the airwaves and packed clubs every night of the week. Many of the groups started to receive widespread attention with invitations to perform on national television and to collaborate with mainstream acts. Just as many of the groups were on the verge of breaking out, the fickle public turned its ear from funk to disco, and Seattle's soul and funk scene slipped into obscurity.
In 2001, local collector DJ Mr. Supreme started uncovering Seattle's soulful past after finding a dusty Black on White Affair 45 called "Bold Soul Sister" in a 99 cent bin at a Seattle Center record show. By 2003 he had a rough impression of a once-thriving scene and a hefty collection of Seattle soul and funk 45s, some of which were beginning to fetch upwards of $5,000. Supreme approached local record label Light In The Attic with the idea of releasing a Seattle soul and funk compilation. Light In The Attic spent twelve months tracking down the artists and fleshing out the story of Seattle's funky past, and the result was a CD compilation entitled Wheedle's Groove. At the Wheedle's Groove CD release party in August of 2004, a line of nostalgic 60-somethings and funk-hungry 20-somethings wrapped around the building as the musicians inside, now janitors and graphic designers and truck drivers, prepared to perform together for the first time in 30 years. This is their story.
In 2001, local collector DJ Mr. Supreme started uncovering Seattle's soulful past after finding a dusty Black on White Affair 45 called "Bold Soul Sister" in a 99 cent bin at a Seattle Center record show. By 2003 he had a rough impression of a once-thriving scene and a hefty collection of Seattle soul and funk 45s, some of which were beginning to fetch upwards of $5,000. Supreme approached local record label Light In The Attic with the idea of releasing a Seattle soul and funk compilation. Light In The Attic spent twelve months tracking down the artists and fleshing out the story of Seattle's funky past, and the result was a CD compilation entitled Wheedle's Groove. At the Wheedle's Groove CD release party in August of 2004, a line of nostalgic 60-somethings and funk-hungry 20-somethings wrapped around the building as the musicians inside, now janitors and graphic designers and truck drivers, prepared to perform together for the first time in 30 years. This is their story.
